![]() ![]() Mid-career footage of Cobain and Love pantomiming angry fan letters and splashing in the tub with their baby daughter Frances prove that his loyalties to his embattled young family ran just as deep, perhaps deeper, than his commitment to Nirvana being the best rock band on the planet. ![]() ![]() Home movies show Kurt as a bubbly infant and irrepressible toddler (“He was always so worried about everyone, making sure they were OK,” according to his mom, Wendy O’Connor) and reams of notebook art and journal entries show the constant churn of his imagination. For all its intimacy, though, the film is also a reminder of just how contradictory and unknowable everybody is at heart, especially to themselves.Įven for the most die-hard Nirvana fans, there’s much in “Montage” that will surprise, delight and upset them all over again. “Montage of Heck” is revelatory in that it finds a whole new angle on one of rock music’s most beloved and well-documented figures. But Cobain knew all about the fog that envelops life, art and public perception. ![]()
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